Here is the latest demo video featuring the Analog Alien FuzzBubble-45 fuzz face. Pete Townshend used a 1965 Sola Sound Tone Bender (mkI) fuzz pedal on stage — occasionally (there many photos from this era showing Pete with no effects pedal) — in 1965 and 1966. members.fortunecity.com/uzzfay/superfuzz1/superfuzz1.html, members.fortunecity.com/uzzfay/sf3/sf3.html, Pete Townshend Gear History – Full timeline, 1956 Gibson Les Paul Custom “Black Beauty”. It produces a wide range of fuzz … According to Keith Cheesman, who worked with Mick Ronson in a band called the Rats and once owned Mick’s Sola Sound MK1 Fuzz, was told by Mick that his Sola Sound MK1 Fuzz had been previously owned by Pete. You can hear the effect clearly in recordings from this era — the signature “buzz saw” sound during leads and rave-up outros. Pete Townshend used a Dallas Arbiter Fuzz Face fuzz pedal on stage for a brief period in 1968. 1969, onstage with the original-model Univox Super-Fuzz. This page last updated 3 September, 2007. This month also represents Pete’s first use of Hiwatt-badged Sound City 4×12 cabinets and consistent use of the Gibson SG Special guitar. Amps are two Marshall JTM45 100 Tremolo (1959T JTM100 Tremolo Super Lead) amplifier heads. . In 1979, he switched to the MXR Dyna-Comp compression pedal to fulfill the need for added boost on leads and outros. A classic untamed fuzz from the 1970s that adds an octave-up overtone, famous for its use by Pete Townshend of The Who. Produces the completest range of harmonic tones. 1970, closeup of the original-model Super-Fuzz. I notice several distinct fuzzy sounds during his solos, like he's switching on various pedals, but I really know nothing about his … His friends nicknamed him Fuzz while in junior school due to his then signature afro. Pete’s Univox Super Fuzz. There are several Gibson Pete Townshend signature guitars, such as the Pete Townshend SG, the Pete Townshend J-200, and three different Pete Townshend Les Paul Deluxes. When Mick left Hull to join David Bowie’s band he left his Sola Sound pedal and his Jen Wah pedal with me as he did not think he would require them again in his new role. This simple, but punchy tone begins with a classic British amp and adds a bed of Big Fuzz to the chain before the amp and a touch of Mono Tape Delay after the amp. This fuzz is an octave fuzz using two germanium diodes to produce the square wave clipping. Other popular fuzz users were Eric Clapton, Jeff Beck, Pete Townshend, and Jimmy Page (See the fuzz pedal timeline here for a detailed list of nearly all the fuzz pedals on the market at this time). Fuzz was born John Richard Keith Townshend on 31st July 1964. For more, see Terms of Use. He used the first version of the Univox Super-Fuzz, the metal grey version, on stage from late 1968 to mid- to late-1971, when he switched to the reddish-orange die-cast version with the large pedal surface. As far as I am aware Mick was the last person to own this Mk1. Ivor meanwhile continued to produce Sound City amps and cabs with some design input from Dennis Cornell. Townshend revealed the details behind this rig to me in a Guitar Player magazine interview in 1993. Mick then went on to use the MK1 throughout his work with Bowie and with the Jen Wha Wha it became his trademark sound. Photo courtesy rockstarsguitars.com. Whotabs is not affiliated with The Who, its record company or management. This site works best with JavaScript enabled. The is was an integral part of Pete’s stage equipment. Pete Townshend Gear History – Full timeline, 1956 Gibson Les Paul Custom “Black Beauty”. The aforementioned single was banned by US radio but inspired the likes of Pete Townshend of the Who to pick up the guitar. Photos of a generic orange die-cast version Univox Super-Fuzz. , Close-up of Pete’s Univox Super-Fuzz ca. Ca. He was raised by his mother who used to work in a local newspaper company. Gold Supporting Member. He used versions of the Univox Super-Fuzz between 1968 and 1978. 1972. This is not just hype however, as the Super Fuzz represents something very different from the standard Fuzz Faces and Tone Benders of the time. A Few Notes Notes on Circuit Design - There is much debate on how much actual 'designing' went on in the creation of these early fuzz circuits. UNIVOX Super Fuzzz U-1095. document.write('Photo: Jeffrey Mayer'); document.write('Photo: Tony Gale/Pictorial Press'); When he was 10, his mother won a Vauxhall Chevettein a national newspaper competition. The Tone Bender featured two controls: Level and Attack, and a footswitch. However, in contrast to Townshend’s view that the instrument’s prospects have been exhausted, Henson wants to take the instrument far beyond what he considers the cliched arena of guitar rock. With interest in music from early days, his mother bought him a drum set from the prize money. . Check out this primer in unlocking the Townshend's legendary tone. So it is possible that this Sola Sound in the Pete Townshend picture is the very same one Mick Ronson used for his trademark Ziggy Stardust sound some 10 years after Pete Townshend used it. Ca. A classic untamed fuzz from the 1970s that adds an octave-up overtone, famous for its use by Pete Townshend of The Who. // ]]> -->. Sound City, Shaftesbury Ave. Photo by Pete Cornish. By Mike Randle and Mike Duffy. Pete began using the Super-Fuzz in late 1968, likely November or December, with the first documented occasion being the Rolling Stones Rock and Roll Circus in Wembley on 11 Dec. 1968, which also represents Pete’s and John’s first known use of their Hiwatt-badged Sound City stacks. Townshend’s fuzz of choice was a Univox Super-Fuzz, which he utilized to make those loud noises for a full decade, from 1968’s Rolling Stones Rock and Roll Circus through a … The is was an integral part of Pete’s stage equipment. Ca. Views of Pete’s stage use of the orange die-cast Univox Super-Fuzz. This information, along with all other content included in Whotabs, is intended for private study, scholarship or research. Used 1967–68 on stage, often paired with a Grampian reverb. Legacy PCB Designed for the 1590B enclosure with side-mounted jacks, which some builders prefer. Pete Townshend’s Super-Fuzz Pedal . 1971, Pete hovering over orange die-cast Univox Super-Fuzz. Pete Townshend used a 1965 Sola Sound Tone Bender (mkI) fuzz pedal on stage — occasionally (there many photos from this era showing Pete with no effects pedal) — in 1965 and 1966. This became Pete Townshend's fuzz of choice throughout the next decade, including the infamous Live At Leeds album, and is currently favored by Josh Homme of Queens of the Stone Age. Jimmy Page, Jeff Beck, Mick Ronson, and Pete Townshend were among the many users who deployed the Tone Bender to devastating aural effect. His bold, cutting-edge sound and wild on-stage antics captured the imagination of a generation, giving birth to an entire subculture and cementing him as one of the most important names in UK music history. This site works best with JavaScript enabled. December 1968, the Rolling Stones Rock and Roll Circus rehearsals, with earliest known use of the Univox Super-Fuzz. The U-1093/U-1095 Univox Super-Fuzz fuzz pedal represents a key part of Pete Townshend’s classic stage sound. Favored by Justin Hayward of the Moody Blues for its full, singing sustain, the Supa Fuzz also appeared at the feet of Pete Townshend in live shows between 1967 and ’68. Inspired by the sounds of the decade Fuzz 70, more precisely in the Pete Townshend's tone (live at Leeds), the Super Fuzz Unit will provide you a huge range of Fuzzy sound. D*A*M Stompboxes Sola Sound/Tone Bender history. document.write('Photo: Jeffrey Mayer'); 1969 from previous photo. Fuzz Townshend has co-hosted this one of a kind show, which is currently in its sixth season, since its release in 2013. Malekko Omicron Series analog Fuzz pedal. Ca. The Omicron Fuzz is our take on a classic Germanium diode based fuzz pedal of the past. Click on a photo to view full size image. Whotabs is not affiliated with The Who, its record company or management. The Fuzz Face featured a “smiley” face round configuration of its two controls (volume and fuzz) and footswitch, housed in a red housing. Pete’s Gear: Univox Super-Fuzz The U-1093/U-1095 Univox Super-Fuzz fuzz pedal represents a key part of Pete Townshend’s classic stage sound. He designed the effect pedal with the name Tone Bender, based on germanium transistors, causing a fuzz craze across the country. Ca. Pete used the Super-Fuzz effect pedal in line from the guitar to the amplifier. Non-Whotabs links are provided for informational purposes only and are not controlled or monitored by Whotabs. The unit was always placed right next to the drum kit, just in front of the guitar amplifiers, often taped down to the stage with gaffa tape. Condition is "Used". “I remember when I gave Joe Walsh an ARP 2600,” he said. Guitar is Gibson SG Special. Pete Townshend Stratocaster advert Considered one of the most important musicians in rock history, Pete Townshend has brought many kids closer to the electric guitar thanks to his way of playing. [CDATA[ Containing six separate Muff circuits, the JHS Muffuletta Fuzz is one of the most comprehensive fuzzes on the market, particularly for fans of the Muff sound. The control knobs were for volume and "pep". In July 1966, with Tone Bender MkI fuzz pedal visible at bottom right. Full tread switch, no buttons to “miss.” Solid die-cast housing. You can hear the effect clearly in recordings from this era — the signature “buzz saw” sound during leads and rave-up outros. The first model – MKI, became one of the most used pedals among the artist like: Pete Townshend/The Who, Jeff Beck of The Yardbirds, and T he Beatles amongst many. The SG was clearly marked as a Pete Townshend limited edition model and came with a special case and certificate of authenticity, signed by Townshend himself. Pete’s Super-Fuzz used from 1970 -1976. Photos and schematics of classic fuzz pedals. How to Sound Like Pete Townshend. He used this version until 1978, where the last use of the pedal was 15 May 1978, at the Shepperton show filmed for The Kids Are Alright. Townshend says his child pornography arrest led to his colon cancer diagnosis, which saved his life. I always had a fuzzbox but that was always just to make a loud noise at the end when I started smashing things up. Pete’s Super-Fuzz used from 1970 -1976. I know you don’t really get into them, but you should try this. Fuzz Townshend was born on 31st July 1964, in Shropshire. While most of the dirt on the Live at Leeds guitar tone comes from cranking the living daylights out of the Hiwatts, there are some points where Pete Townsend will kick on a Univox Super Fuzz, an old germanium diode-equipped fuzz pedal that has achieved near mythic status in the last couple of years, garnering very high prices on the used market. The association with Dave Reeves did not last, however—he soon went off to design Hiwatt amps. From school days, hi… Pete Townshend was an early and, for a while, committed user. He is a well-trained drummer who took drum lesson from local jazz musician Al Reed. Expander control for unending sustain. The popularity of the U.S.-made Maestro FZ-1—and its scarcity in the U.K.—were leading impetuses for the design of the Tone Bender. Associated images are included for reference only and are the property of the original owner. The guitar model Pete Townshend used (and abused) exclusively on stage from mid-late 1968 until 1971, and the guitar with which he’s most famously associated. The Supa Fuzz was made for Marshall by Sola Sound, the maker of the original Tonebender fuzz pedal, which Pete had used in 1965 and 1966 on stage (the Tonebender MkI). The controls are 'Balance' (volume), 'Expander' (fuzz amount), a two position 'tone' switch, and an on/off footswitch on top. • Pete Townshend uses the MKI Tone Bender in 1965 and '66. 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